The June meeting will prove
to be an enlightenment within the roll of the hammer versus the soundboard.
As technicians we are seldom, if ever, in the unique position to examine
the tonal effect of changing a complete action (with hammers) from one
piano to another when the pianos are from different factories manufactured
40 years apart. We will gain a tremendous insight of the roll of
the soundboard when an action and hammers with a known reult is placed
in a different piano. You will instantly hear the effect that the
belly (soundboard, bridges, etc.) plays in the tonal picture.
We will switch the actions
from a 1963 New York Steinway "D" and a 2000 Hamburg Steinway "D" and examine
the result from both pianos with opposite actions. I performed this
about two years ago. The result was surprising and not what I expected.
Be sure to attend to gain this insight.
Old Business:
Bill Barber inquired about the status of Brent Williams' application.
No information was available.
New Business:
Elections will be held at the e 18th meeting instead of May because
no notification was sent tot eh membership.
Nominations presented by the Board are as follows:
President:
Roger Gable, RPT
Vice President: Joe Alcana, RPT
Secretary:
Curtis Spiel, RPT
Treasurer:
Bill Barber, RPT
Board Members: Peter deLaurenti, RPT
Mike Ashburn, Assoc.
Roger announced the change in program content for the June 18th meeting
being held at Gable Piano in Everett. The new topic: New York vs.
Hamburg Steinway pianos.
A special feature may be in store for those who attend this month's
meeting.
Future program ideas include:
For September: analyzing the cause of, and eliminating false beats
Audrey suggested a meeting dealing with workplace burnout.
The use of electronic tuners.
The board extends our sypathy to the family of Pacific Lutheran University music professor James D. Holloway.
The meeting adjourned at 7:40 pm to the technical program of "Warranty Wars" presented by Mike Reiter and Phil Glenn.
Ever have difficulty tuning the last 3 to 4 notes of small pianos? Sometimes the last notes are so inharmonious that it is difficult to establish the range within a half step or more. To aid in finding the proper range, tune down by octaves the highest not possible, then progress down by judging in half steps, then check with that corresponding octave.